Carl Moellenberg is a twelve-time Tony award winner and an active, respected producer on Broadway. His Tony awards were for Spring Awakening (Best Musical in 2007), Hair (Best Musical Revival in 2009), War Horse(Best Play in 2011), Death of a Salesman (Best Play Revival in 2012), Pippin (Best Musical Revival in 2013), All The Way (2014 Best Play), The Curious Incident of the Dog in the Night-Time (2015 Best Play), Dear Evan Hansen (Best Musical in 2017), Angels in America (Best Play Revival in 2018), The Band's Visit (Best Musical in 2018), Hadestown (Best Musical in 2019),and Oklahoma (Best Revival in 2019).
He has also received Tony nominations for American Idiot (2010 Best Musical), Lend Me a Tenor (2010 Best Play Revival), Mary Stuart (2009 Best Play Revival), The Motherf**ker with the Hat (2011 Best Play), Catch Me If You Can (2011 Best Musical), The Best Man (2012 Best Play Revival), Evita (2012 Best Musical Revival), Orphans (2013 Best Play Revival), Cinderella (2013 Best Musical Revival), The Trip to Bountiful (2013 Best Play Revival), An American in Paris (2015 Best Musical), Wolf Hall (2015 Best Play), You Can’t Take It With You (2015 Best Play Revival), Eclipsed (2016 Best Play), and Carousel (2018 Best Musical Revival).
Carl has also chosen to invest in several other very successful shows, including Wicked, West Side Story, God of Carnage, Once, Book of Mormon, and Hamilton. He is a member of the Broadway League of American Theatres and Producers and a graduate of the Commercial Theater Institute’s producer training program. He has a great eye for shows that will work in every sense of the word! You can see his full Broadway producing credits on IBDB.com.
When you send him your contact information, he will establish an ongoing relationship with you. Broadway Investing knows that there are many individuals who are interested in investing in Broadway, but may not know how to go about it. This site is my effort to provide a resource to those who love theater, want to support the arts and who also want to know how to be financially connected with a show. It is not intended to offer investments or investment advice, but to share theatre knowledge.